“Montreal 1940” and “Untitled Farmhouse” recto/verso

On the lower left of “Montreal 1940” Tinning notes the location as: “Back of Ben’s Delicatessen“. This Montreal landmark restaurant occupied the corner of Mansfield Street and Burnside Street in 1940. [It moved to the corner of Metcalfe and Burnside in 1949.] On the verso is an untitled painting believed to be the farmhouse of Tinning’s cousin Cyrus L. Merriam in Brattleboro, Vermont with whom he visited in 1938 during his training at the Eliot O’Hara School of Watercolor in Goose Rocks Beach, Maine.

Montreal Scene 1940; watercolour on paper; 38 x 47.5 cm

Untitled Farmhouse (likely Brattleboro, Vermont) undated and unsigned watercolour on paper; 38×47.5 cm (verso of “Montreal 1940”)

“Cote-des-Neiges House” and “Flowers in a Square Vase” (recto/verso)

In 1941 Tinning moved into an apartment at 1536 Summerhill Avenue near the corner of Côte-des-Neiges Road in Montreal. Below is the Victorian mansion on the corner of his street – later demolished to become the site of the Regency Apartments according to notes made by the artist on a matte for this watercolour. On the verso is a 1941 floral.

House at the corner of Cote-des-Neiges and Summerhill Avenue, Montreal 1941; watercolour on paper; 54X39 cm


Flowers in a Square Vase 1941; watercolour on paper; 39×54 cm

Peel Street 1940

Peel Street 1940; watercolour on Hi-Art Board; 50×37 cm

This 1940 view of Peel Street in central Montreal is hard to place. One possible perspective is looking west along the south side of Sherbrooke Street West with the Ritz Carlton Hotel in the left background. Another possible perspective is looking east along Burnside Avenue with apartment towers in the background. Regardless of perspective, this winter cityscape captures the essence of Tinning’s newly adopted urban home.

“Bonsecours Market” and “Chateau Ramezay” (recto/verso)

Inaugurated in 1847, Bonsecours Market is an iconic building situated in the heart of Old Montreal near the harbour and close the city’s main east-west thoroughfare – Notre Dame Street. Having served for one year as the Parliament House of a United Canada and as Montreal’s City Hall for twenty five years the building represents one of the most important historical sites in the country. In the 21st Century it has been repurposed to house shops and boutiques to become a major tourist magnet in this part of Montreal. Tinning painted this scene in 1939 when Bonsecours was the chief public market for   fresh produce and meat brought in daily by farmers from the surrounding countryside.

Bonsecours Market 1939; watercolour on paper; 56×39 cm

Access to Bonsecours became problematic as the city expanded from the narrow, harbour streets around the Market. Gosford Street tunnel built in 1931 under Notre Dame Street allowed easier access to Bonsecours  and went under the turreted east wing of the Château Ramezay  – as seen in the painting below. [The tunnel was closed over in 1998]. The mansard roof of Montreal City Hall is seen in the background.

Chateau Ramezay and Gosford Tunnel undated; w-c on paper; 39×56 cm (verso of Bonsecours)

“Beaver Hall Square; Riordan Houses” Montreal 1939

One of the first cityscapes that Tinning painted after he moved to Montreal is a row of four Victorian townhouses on “Beaver Hall Square”. Built in 1863 by James Ferrier  – merchant and a former Mayor of the city – for his four children and named Tamworth Place this row of elegant homes on the east side of Beaver Hall Square had been transformed into residential/commercial properties by 1939. Tinning writes on the lower left of his painting (below) “Riordan Houses” – also spelled as “Riordon” – a name associated with the pulp and paper industry in Canada.  “Riordon Sales Corp Ltd ” is listed in Lovell’s Directory (1937-38) at 1163 Beaver Hall Square. Between 1937 and 1940 Lovell’s lists “F Brandtner” and the “Children’s Art Centre” as tenants at 1154 Beaver Hall Square – the entrance furthest left in this painting. Franz Brandtner – artist and teacher – moved here after one of the founder’s of the Children’s Art Centre, Dr. Norman Bethune, left for Spain. Lovell’s 1936-37 edition lists “Bethune, Herman M.D.” (a typographical error in spelling “Norman”?) as a tenant at this address.

Beaver Hall Square 1939; watercolour on Hi-Art Board, 37×50 cm

In 1982 Beaver Hall Square was renamed Place du Frère-André in honour of the recently beatified Canadian saint, André Bessette (Brother Andre). The Tamworth Place townhouses were subsequently demolished to make way for a highrise office building and the immediate geographic area is currently undergoing a new planning process.